STEVE EARLE
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At 14, Earle left home for Houston to stay with his 19-year-old uncle, Nick Fain, who encouraged him to continue his guitar playing. Soon after, Earle met hard-living songwriter Townes Van Zandt, who inspired him to make music his career. Earle later said of Van Zandt, "He was a real good teacher and a real bad role model." At 19, Earle moved to Nashville. While struggling to make it in the music industry, the young hopeful paid the bills by doing odd jobs. "I've never had a job longer than three months in my life," he said. "I've always led a bohemian lifestyle. I have framed houses, worked on oil rigs, worked on shrimp boats and in restaurants, but it was different for me because I knew I was always going to get out."
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From 1982 to 1985, Earle recorded a series of rockabilly tracks for Epic Records. Two of these charted. "Nothing But You" went to No. 70 in 1983, and "What'll You Do About Me" went to No. 76 the following year. From Epic, Earle moved to MCA Records, where, in 1986, he released the roundly acclaimed Guitar Town. For this work, many critics hailed him as the missing link between the power of rock and the passion of pure hillbilly music. The title track became the highest-charting song of Earle's country career, making it all the way to No. 7 in 1986. In 1987, MCA released Earle's sophomore album, Exit 0. It, too, became an instant favorite of critics. One song, "I Ain't Ever Satisfied," enjoyed some airplay on rock radio, but country radio ignored it. Another single from the album, "Nowhere Road," climbed to No. 20 on the country charts. The album Copperhead Road made its bow in 1988 and demonstrated Earle's growing interest in rock music. MCA targeted the title single to rock radio. Although the album made few waves in the United States, it did build Earle's reputation in England.
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Winter Harvest Records released Earle's folksy, acoustic-oriented collection, Train a Comin', in 1995. Soon after, Earle formed his own label, E-Squared Records. His first album for the new label, I Feel Alright, came out in 1996 and combined elements of country, rock and rockabilly. The next year saw the debut of his El Corazon. Earle tipped his hat to bluegrass music in 1999 when he recorded The Mountain with the Del McCoury Band. In 2000, he released Transcendental Blues, also on E-Squared.
Earle has been an outspoken and tireless opponent of capital punishment. His "Ellis Unit One" is featured on the 1996 soundtrack of the film Dead Man Walking. In recent years, Earle also has written and performed poetry and fiction. He presented excerpts from his works in progress at the 2000 New Yorker Festival and published a short-story anthology Doghouse Roses in 2001. He also stirred up controversy with the song "John Walker's Blues," about John Walker Linde, an American who many considered a traitor for joining the Taliban. The biography Hardcore Troubador: The Life and Death of Steve Earle was published in 2003.
SESSION PHOTOS BY ERIKA GOLDRING
THE SONG:
"Tain't Nobody's Business"
Steve Earle with The Preservation Hall Jazz Band
(Traditional)
Steve Earle - vocals, guitar
Charlie Gabriel - clarinet
Clint Maedgen - tenor sax
Ben Jaffe - banjo
Rickie Monie - piano
Walter Payton - string bass
Steve Earle appears courtesy of New West Records
AS PERFORMED BY BESSIE SMITH (1923):
"CITY OF IMMIGRANTS" BY STEVE EARLE (LIVE, 2008):
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THE SONG:
"Tain't Nobody's Business"
Steve Earle with The Preservation Hall Jazz Band
(Traditional)
Steve Earle - vocals, guitar
Charlie Gabriel - clarinet
Clint Maedgen - tenor sax
Ben Jaffe - banjo
Rickie Monie - piano
Walter Payton - string bass
Steve Earle appears courtesy of New West Records
AS PERFORMED BY BESSIE SMITH (1923):
"CITY OF IMMIGRANTS" BY STEVE EARLE (LIVE, 2008):
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