TOM WAITSTom Waits has built a career as varied as there are creative outlets—delving into cinema (both composing and acting), musical theater, opera, live performance, and literature—yet seamlessly interweaving a truly distinctive and fully-realized persona. The tools of his trade have included such things as the marimba, trombone, brake drum, metal aunglongs, banjo, bell plate, bullhorn, conga, accordion, optigon, mellotron, maracas, pump organ, basstarda, chamberlain, harmonium, viola, sticks, chairs, a musical saw, as well as the regular old guitar, bass, piano and drums and, of course, that trademark voice.
In a career that has spanned four decades, his music has taken adventurous turns, from confessional country-blues and jazz-flavored lounge, to primal rock and avant-garde musical theater. By turns tender and poignant, to strange and twisted, his songs tend to explore the dark, underbelly of society as he gives his uniquely human voice to adventurers both romantic and mercenary, drifters, con artists and those forgotten characters on the fringe and in the fray. Waits has expanded and drawn from a deep well of American song idioms: folk, blues, country, jazz ballads, polkas, waltzes, cabaret, swing, popular ballads, and a category that can only be described as Waitsian.
Named as one of VH-1’s “Most Influential Artists of All Time” it is no surprise that Waits’ body of work has long been covered (and coveted) by other musicians. Notable cover versions include: Bruce Springsteen (“Jersey Girl”), Rod Stewart and Everything But The Girl (“Downtown Train”), Marianne Faithfull (“Strange Weather”), The Ramones (“I Don’t Wanna Grow Up”), 10,000 Maniacs (“I Hope That I Don’t Fall In Love With You”), Bob Seger (“Blind Love”), Shawn Colvin (“The Heart Of Saturday Night”), plus Elvis Costello, The Blind Boys of Alabama, Johnny Cash, and many others. A diverse list of artists have cited Tom Waits as an inspiration, including Bob Dylan who has named him one of his “secret heroes.” And the adoration strikes a chord with a rabid fan following—there is even an annual celebration called “Waitstock” near Poughkeepsie, New York.For more than 30 years now, Tom Waits has been creating music. He continues to inspire new generations of songwriters who have their own story to tell…and their own dark muse to follow.
SESSION PHOTOS BY CLINT MAEDGEN AND J. LLOYD MILLERTHE SONG:
"Tootie Ma Is A Big Fine Thing"
Tom Waits with The Preservation Hall Jazz Band
(traditional)
Tom Waits - vocals
Mark Braud - trumpet
Charlie Gabriel - clarinet
Clint Maedgen - tenor sax
Lucien Barbarin - trombone
Rickie Monie - piano
Carl LeBlanc - banjo
Walter Payton - string bass
Ben Jaffe - tuba
Ernie Elly - drums
ANOTHER RECENT INTERPRETATION,
BY MEDESKI, SCOFIELD, MARTIN & WOOD:
"LIE TO ME" BY TOM WAITS - OFFICIAL VIDEO:
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